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in association with Spielberg's Amblin Entertainment,Nickelodeon Animation Studios,''Nicktoons TV Series'' Nick Jr TV Preschool Jr. It will be produced by Trimark Pictures Tapestry Films Walt Disney Animation Studios and Pixar Animation Studios. Live-action/2D/3D computer traditional animated fantasy-romantic-musical-black slapstick comedy film and a sequel to the first 1988 film of Who Framed Roger Rabbit.
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2.1.Who Framed Roger Rabbit 2 The Second Crossover Part Movie In 3-D general theatrical release in Disney Digital 3D, RealD 3D, IMAX 3D, IMAX, D-Box, 4DX, and ScreenX, formats in the United States on February 18, 2022 Diachronic data on convergence, resistance and divergence. (iv) Examples of Modern Venetian Latin-derived verbs restricted to Venice or localised in their Italo-Ro-Ģ. (iii) Examples of Modern Venetian lexical reflexes of Latin historically restricted to Venice. V Latin restricted essentially to Venice and to part or all of the Veneto. (ii)Įxamples of Modern Venetian lexical reflexes of (i) Examples of Modern Venetian lexical reflexes of Latin with a wide northern Italian distribution. The inherited Venetian word-stock shared by (Italo) Romance. The Latin lexical inheritance: commonality and distinctiveness. Middle Venetian 1600-1800: towards a flexible norm. Spoken and written Venetian: convergence trends. From Early Venetian to Middle Venetian: superseded structures. MIDDLE VENETIAN: FROM LANGUAGE TO DIALECT.
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Levelling tendencies and evidence of reallocation in Early Venetian c. Extreme variability in the Early Venetian scrzpta up toĢ.3. The early mainland Veneto types compared. From structural variability to stability in Early Venetian 2.1. Settlement, urbanisation and linguistic consequences. Lagoon varieties in historical perspective. EARLY VENETIAN: FROM LAGUNAR KOINE TO PROTO LANGUAGE OF STATE. (d) Origins of present indicative sg./pl. (c) Present indicative paradigm of esser ‘to be’. (b) Irregular present indicative paradigms. Demonstratives, Indefinites and Numerals. Principal patterns of palatalisation in Modern Ve-Ĥ. Principal patterns of intervocalic lenition in Modern Venetian.
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The Venetian, Classical Latin and Italian consonant inventories compared. The Venetian and Italian vowel systems compared. The Venetian and Classical Latin vowel systems compared. Venetian within the Veneto dialect environment. Venetian intermediacy between Gallo-Italian/FriulanĪnd Italian. Structural features shared by Modern Venetian and Italian. Structural features shared by Modern Venetian and Gallo-Italian/Friulan. Structural features demarcating Italian from Modern Venetian. Structural features demarcating Friulan from Modern Venetian. Structural features demarcating Gallo-Italian from Modern Venetian. MODERN VENETIAN: PERIODISATION, SOURCES AND CLASSIFI-ģ.4.1. CONTEMPOMRY VENETIAN: BACKGROUND, STATUS AND DI.
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Modern Venetian within its immediate Italo-Romance The Veneto in linguistic and historic context. Functional distribution of Contemporary Venetian. Venice and Venetian: a historical overview. Without her this book would not have been written. Published with the support of the Gladys Krieble Delmas Foundation of New York and of the Istituto Italiano di Cultura, Edinburgh ISBN 978 4ĭedicated to my mother Iole Ferguson (1919-2006). BIBLIOTECA DELL’ «ARCHIVUM ROMANICUM» Serz'e II: Linguistica